you've probably seen
speakers that have
this flared horn shape before maybe at
an outdoor venue or a concert venue or
even an antique piece of audio equipment
like this phonograph at first you might
think that the horn just serves to
direct sound toward listeners which is
true it does that but it also makes the
sound louder and at first you know that
doesn't seem to make sense obviously the
horn doesn't take any power so how can
it actually make the sound louder how
can i amplify sound so in today's video
I want to talk about how this actually
works and how you can use this concept
to better understand electronics first
let's verify my claim that the horn
actually does increase the sound output
coming out of this speaker so I'm going
to use a handheld sound meter here that
reads off in decibels and I'm going to
turn on this amplifier here and just run
some static through the speaker so we'll
turn the static on and just holding the
meter in air we've got about 70 to 71
decibels so now we'll put the horn on
and it's reading about 72 or 73 let's
try the test again with a 1 kilohertz
sine wave and this time I'll hold the
sound meter definitely off axis so that
you can see that the horn is not just
directing sound toward the meter
so we're at about 83 decibels
you
as you heard in the demos the alignment
of this horn on the speaker body makes a
significant difference in the character
of the sound and the volume remember
that a 10 decibel change in sound
pressure level is equal to a perceived
loudness difference of twice as much so
my neighbors can attest that a three
decibel change is pretty significant so
let's take a look in here and see how
this thing is built the speaker has a
magnet and a very rigid dome built out
of a special plastic here and the dome
is connected to a coil that's in the
magnetic field and the dome is suspended
by a fairly rigid piece of plastic so
you can move up and down but it takes a
fair amount of force to do so when the
speaker is running the electrical
current that we put through that coil
causes the dome to move up and down and
it moves quickly enough so that the air
in front of it is compressed and that
compressed region of air expands outward
eventually hitting the camera's
microphone being digitized and sent
through the internet to your speakers
which move and create a pressure wave
which expands out and hits your eardrums
and that's how you're perceiving the
sound so if I suddenly wanted to make
this louder for you what I could do is
make the dome move further so that the
pressure wave created by this would be
much higher in intensity the problem is
that this tiny little cone here is not
in contact with very much air so the
only way that I can make this louder is
by moving the cone further basically
putting more power into it even though
that's not the best thing if we have
this cone much larger than it would be
in contact with much more air and it
wouldn't take as much linear travel to
create that same pressure wave and
that's exactly what this horn is doing
here it's allowing us to take a small
surface a small connection with the air
and making it a much larger connection
the front of this horn let me show you
another demo that will make this clearer
this stick is cantilevered off the edge
of a table and it's connection with the
air around it is not very good so if I
bring my fist down the stick just
bounces away because it isn't really
connected to anything very solidly
however if I put a newspaper across the
stick and make sure that the newspaper
is fairly flat when I hit it with my
fists now the stick actually
because the connection that it has with
the air around it is now much better the
newspaper provided this matching between
the stick and the air that caused so
much energy to be transferred into the
stick that it actually broke you can
think of the dome in this tweeter is
sort of like my fist where it has a lot
of force but the air doesn't put up very
much impedance and so there isn't really
anything to push against the horn
provides this coupling between the very
strong tweeter dome and the very weak
sort of air in other words the speaker
dome is a low impedance device meaning
that it's very strong but it doesn't
supply that strength over a very big
area whereas the air is very high
impedance meaning it doesn't take very
much force to push it but that force
must be distributed over a large area to
have a good effect this concept of
impedance matching shows up in
electronics quite a lot and instead of
thinking about it in terms of force and
area we think about it in terms of amps
and volts and so low impedance device
has high current and low voltage and a
high impedance device has high voltage
and low current but ultimately if your
impedances are matched you have good
power transfer however if you have an
impedance mismatch just like with this
speaker going directly into air you're
going to lose power because the systems
are not well matched to each other and I
think it's helpful to think of them in
physical terms just like with this
speaker system or the stick off the edge
of the bench the shape of the horn
actually affects how it will do its
impedance matching job as well so a very
common profile to have is an exponential
curve and this provides a good impedance
match for many different frequencies
however one downside is that the pattern
of sound that comes out of the horn is
not as even as it could be so there are
other designs that take that into
account another thing you might be
wondering is why this is rectangular it
sure seems like round or square would be
much more sense it would make much more
sense for doing this the answer is just
practicality so since the shape of the
horn does affect where the sound is
directed in most you know clubs and
concert venues everyone's ears are about
the same level vertically off the ground
but people are standing in a fairly wide
horizontal pattern around the speaker
so really just this shape is just set up
to fill that area with sound it doesn't
help to send sound into the ceiling or
into the sky because it will either get
lost or be reflected and not sound as
good another thing you might be
wondering is why not just make the dome
bigger if we have to go through all this
impedance matching trouble with the horn
why not just make this whole thing
larger so that it already has better
coupling with the air kind of like this
speaker here and the answer is that it's
very difficult to make a dome rigid
enough and lightweight enough that we
can move it quickly enough and get high
frequency response and also have good
coupling with the air so having this
whole horn tweeter system is actually a
better overall system in terms of
efficiency than trying to make a very
rigid large tweeter you also might be
wondering why horn tweeters don't show
up at home audio so for example with
this bookshelf speaker there's no horn
up in here this is just a plain old dome
tweeter and the answer is that for home
audio typically the sound pressure
levels aren't high enough to make this
efficiency gain from the horn worthwhile
so if this small dome tweeter is you
know 50% as efficient as a horn tweeter
nobody really cares because you aren't
running enough watts through this to
really matter but if you're running a
concert venue or a club you're basically
very conscious of how many decibels you
get per dollar and you want that number
to be very high so if a speaker can be
much louder effectively much louder just
by putting a plastic horn on it then
that makes a lot of economic sense this
is also a horn speaker that has an
interesting twist to it if we take it
apart you can see that down at the
bottom there that amber yellow colored
piece of plastic is the same as the horn
tweeter we were looking at previous
that's the dome of the tweeter right
there and it's got a horn that comes up
this far and then this piece is just a
hollow plastic cup so it has a folded
audio path so the audio comes out of
this horn hits the inside of this cup
bounces back down to the bottom and then
comes out the front Bell here and the
reason for this is that we still want to
have that good impedance matching from
the tiny little dome that's at the
bottom of the speaker there
and you know the amount of air that's at
the front of this but in order to do
that with an exponential curve it would
take too too much fluid in your space
basically this whole horn would have to
be very long so we compromised a little
bit on the audio quality you'll know
that these things don't sound that great
but we've basically wrapped that
exponential horn up folded it up so that
we can have that all working in a
compact package originally I planned to
show the current and voltage going into
this speaker on the oscilloscope and
then put the horn on an off it and show
that the power transfer was better
through the whole system in other words
the power factor would change meaning
that more total energy was transferred
from the electronics through the speaker
into the air and we can measure that by
looking at the phase of current and
voltage on the scope unfortunately this
didn't work the amount of power that's
lost into the the friction losses of the
suspension in the speaker and the
resistive losses of the coil in here are
so much higher than the amount of energy
that's actually transferred into the air
that the the difference on the scope is
just not even perceptible and I looked
very hard for it the other problem is
that since we're working with fairly
small quantities the speaker has to be
producing an awful lot of noise to make
this measurement happen and so before my
neighbors called the cops on me I didn't
want to continue with you know hundred
decibel experiments here trying to look
for this tiny difference in phase or
whatever so anyway if you try that on
your own I'd be curious if you get it to
work out but I wasn't able to make it
okay I'll probably do another video on
impedance matching focusing a little bit
more on the electronics but I hope this
was a good introduction for you ok see
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