Best Camera Settings for YouTube [DSLR/Mirrorless/Action Camera] #Best Education Page #Online Earning

welcome back to the channel in this

video I'll be showing you how to adjust

the settings on your camera to make your

videos look as good as possible for

YouTube now this is very important if

you just got your camera and let's just

say you're not Peter and Kenan yet which

honestly most of us are not so if that's

the situation for you definitely stick

around I'll talk about the different

settings you need to know in right here

I have an icon I'll actually be showing

you on a Canon camera but this works for

any other camera out there so even if

it's a phone camera with some pro

settings on there or if it's a you know

a mirrorless a DSLR whatever your camera

is I'm gonna show you how to adjust the

settings or what settings you want to

have so you can shoot the best videos

possible now a quick disclaimer in this

video I will be showing you the best

settings for a studio setup like this

where I have soft boxes and a grey

background and I'm not really moving

around but I'll also tell you later on

how you can apply these to maybe an

outdoor sort of motion type video or any

other video you might be taking so if

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so first I want to

a little bit about the theory behind

this before I get into the settings and

this is gonna help you understand in

different situations how to adjust these

different settings to make your videos

look as good as possible so in a video

of course you have a whole bunch of

pictures 30 pictures per second 60

pictures per second whatever your frame

rate is that's going to be a bunch of

pictures smashed together to make your

video now each picture you need it to be

properly exposed now in photography that

have what is called the exposure

triangle now the exposure triangle each

point is a different setting on your

camera in these three settings makeup

essentially what is controlling the

brightness of your image so the first of

the three points I want to talk about is

shutter speed and this is very easy to

understand because the way your camera

works is for each frame as I said it's

taking a picture and it opens and closes

a shutter to let a certain amount of

light in now if you have a very slow

shutter so let's say 30 that means one

thirtieth of a second is the amount of

time that your aperture is open and then

the shutter closes and that's how much

light gets let in and recorded by your

sensor now if you move all the way up

like five hundred or thousand that means

one one thousandth of a second is the

time that it's open as you can imagine

because that's so much quicker there's a

lot less light that gets letting and

your images are going to be darker so

you really need a much brighter

surrounding in order to use that but the

benefit of that is actually that you're

not gonna have any blurring so for one

thirtieth of a second if something's

moving very fast when it's arturo ppens

it's here when it closes it's there

you're gonna have blurring between that

individual frame now the second point i

want to talk about is the aperture which

is essentially how big the hole is that

the light is allowed to come in through

the lens into your camera now this is a

little bit counterintuitive because the

smaller numbers are actually a bigger

aperture size because it's actually a

fraction so you have 1 over 1.8 would be

a very very wide aperture which means a

lot of light comes in which also means

that your depth of field is very narrow

so if you're taking a video of me right

now maybe my nose would be out of focus

and then my eyes would be in focus and

everything behind me would be very very

very out of focus so you have a very

blurry background but if you have two

people in a frame and maybe they're a

little farther apart from each other you

really need to make sure that you have

the aperture adjusted a little bit

smaller so that they're both in the

depth of field they're both in focus now

the third one is a little bit more

confusing and this is the ISO which is

essentially going to be the sensitivity

or

the gain of your sensor and the reason

that this is a little weird is because

it sort of this carried over from film

where the ISO would be something about

the film but right now just think of it

as the gain or the sense the sensitivity

on your sensor so essentially what

you're doing is you're saying if it's

really really dark out you take whatever

signals that your sensor is receiving

and you amplify them and as when you as

with any amplification sometimes there's

a little bit more noise in there and by

noise I'll show you an image right now

of what a noisy and a not a noisy

picture is we see sort of the grains in

there that is not quite accurate so the

sensor is picking up something and they

amplified it and amplified it a little

bit incorrectly and it wasn't actually

what if what was supposed to be there so

that's what it's known as noise the ISO

of course the lower number you get with

bright light situations generally the

better things are going to look you're

amplifying things less but when you're

in darker situations you sometimes have

to move it up a bit more okay so here we

have my SL - and I'm just going to show

you the settings on this camera now the

very first thing you want to do is right

now I'm shooting an automatic you want

to go over to manual you always want to

shoot in manual so you can control the

settings as much as possible to really

optimize what your camera is seeing and

recording so you can change all the

settings for any different light

situations so because we're in a studio

right now it's already set up pretty

well but the first thing you want to do

when you're setting this is you want to

go into right here is your shutter speed

now the shutter speed because it's a

touchscreen it's gonna look a little

different than some of the other cameras

maybe but the shutter speed you want to

make sure it's at least double whatever

your frame rate is so right now I'm

shooting thirty frames per second and

that means I could technically have each

frame as one thirtieth of a second and

it would be one continuously the shutter

would really almost never be closed

honestly so that's why you want to make

sure you're shooting at least double

that so if you're shooting 60 frames per

second make sure you have the shutter

speed is one one twentieth of a second

here I'm doing 30 frames per second so

I'm gonna make it 60 now the next thing

you want to do to optimize your settings

is go and change your aperture so right

here because I have a lot of light

coming in I can close my aperture a

little bit and it'll still work but I

typically like having the aperture as

open as possible so it focuses on me and

really blurs the background so you don't

see any wrinkles in the background you

don't see any small imperfections in

there and overall it's gonna look pretty

good so I always open that as much as

possible if you're using maybe a larger

lens like a 50 millimeter and you can go

all the way down to like 1.8 you might

now I want to push it that much because

sometimes what happens is you get a

little bit of vignetting where you see

like the black up in the corners because

this is a decent lens and it's really

not showing a whole lot of vignette II I

don't really care that much on this

scene right here I'm gonna open it all

the way up to 2.8 now the last thing you

want to do is change the ISO now the ISO

if it was too dark in here this would be

the last thing you'd bring up and you're

really depending on the camera you

really don't want to bring it above like

400 or 800 if you have a good camera if

you have a cheaper one you probably

don't want it bring it above 200 before

it starts to look a little bit grainy of

course the best you're gonna get is when

you're going down to 100 so I always

leave it down at 100 I have as much

light as possible

and that's how we're gonna have a

properly exposed image so right here we

have a proper exposure for when I'm

sitting there you're gonna have the gray

background you can have the white table

and then I'll be properly exposed and

properly lit I can always move my lights

around if the shadows look a little

weird but essentially that's what you're

gonna do when you want to have it lit as

well as possible now the next thing you

want to do after you have the proper

exposure is actually go into the menu

now every cameras gonna have this in a

different place but if we go on a Canon

camera for example you go to menu you go

to the camera a little little camera

image right there and for me it's in you

know tab number 3 you can go and change

the white balance now what you want to

do for white balance is you want to make

sure it's a custom white balance for

most situations sometimes you could use

a standard one so let's just show you in

a standard one for example if I just hit

the little Q button right there I can

change my white balance and say maybe

it's really cloudy if when I say cloudy

it's gonna be a little more orange and

yellow and maybe my skin tone it look a

little darker but the background won't

quite look grey to look a little bit

more like a brownish color so maybe I

want to say it's maybe shady instead and

that's gonna be a slightly different so

you can see that's even you know warmer

or you can go to like tungsten light

which is gonna be very blue so obviously

none of these are perfect if I'm really

lazy sometimes we'll just go to cloudy

and it looks good enough but if you

really want to have it look as good as

possible go into menu and go into custom

white balance now your custom white

balance what you have to do is you have

to take a picture first so I took a

picture of a plain white piece of paper

in front of my lights and actually by

putting it in front of my lights and

taking the picture then I go into menu

and I change the custom white balance to

this most recent picture you say set and

it'll set it as that and then later when

you're actually in your so let's just go

right back here when you're actually in

your settings here you can go over to

cus

my balance and it'll be perfectly

balanced based on the lighting your half

so it's going to match the temperature

of whatever light bulbs you have now

some other cameras you can control it

you know individually to exactly the

right temperature this typically works

very well for me okay so if you're

shooting a video outside and there's a

lot of motion or somebody's moving

around or any kind of sport you want to

first make sure that you're capturing it

without having blurry frames and in

order to do that you need to change your

shutter speed so we can go right here

and say you know you're watching some

kind of sport maybe it's a very

fast-moving sport maybe it's very bright

out maybe you can move that up to five

hundred or thousand with no problem at

all but if it's a little darker out and

you have to move it up you want to make

sure you don't keep it down because you

don't want the blurry frames but once

you move it up you'll see that

everything becomes very dark all of a

sudden so then you're going to have to

keep your exposure proper by changing

your ISO until it looks you know

approximately as bright as you need it

to be so right there I'm going up to

eight hundred by using a 501 500 of a

second as my shutter speed it's not

ideal but you know you might have a

little bit of grain but if you're doing

something was a lot of movement or

action it's gonna make sense that you

have to do this depending on what your

setup actually looks like you might not

be able to optimize all these settings

at the same time so three things that I

recommend getting in ascending order of

cost the first one is going to be better

lighting so if you're using lights

specifically with different colors if

you have one that's kind of bluish and

one's kind of yellowish I recommend not

doing that now some of the professionals

might do that for different purposes but

when you're starting off I recommend

using lights of the same color maybe get

some studio lights I'll link them down

below if you want they're only like 50

dollars and it's gonna make your picture

look a lot better so you can do your

white balance more accurately you can

also have more light on you so you can

optimize the settings a little better if

you can't afford that you can always go

near a window although that might

compromise your audio quality the second

thing I recommend you get is actually a

better lens for your camera so if you're

using the kit lens still you might want

to consider going out and spending maybe

about a hundred dollars to get a better

lens that has a larger aperture so right

here a 24 millimeter lens with an F 2.8

listen significantly more light than you

would have with a kit lens now that's

still not enough for you

you can go on buy a 50 millimeter lens

your camera's gonna be a quite a bit

farther away but you let in quite a bit

more light this is also a great

photography lens I would recommend

anyone buys this again I'll link it down

below it's about a hundred to one

hundred thirty dollars depending on

where you're looking the third thing I

recommend you get is actually a better

camera body now I don't recommend this

you just getting started off but once

you start to get going if you're

shooting in darker spaces maybe in a

cave or whatever if you shoot in like a

whiskey cellar or something like that

you might want to consider getting a

better body for your camera but that

actually has you know a full-frame

sensor for example and also can manage

ISO better so if you have a more

expensive camera typically there's less

noise and you're able to go to a much

higher ISO before the picture starts to

look bad so guys that's what I have for

you in this video please let me know if

there are any other settings you like to

adjust when you're taking your videos or

if you have any other questions let me

know down in the comments below I'll be

trying to answer as many questions as

possible thank you all for watching I'll

see you next time

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