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Wednesday, April 1, 2020

Cheap & Easy Lighting Tutorial for Your Videos #Best Education Page #Online Earning

Cheap & Easy Lighting Tutorial for Your Videos




 So a lot of people ask me, "Pat, what kinds
of equipment do you use for your videos?"
Well, all that stuff, which I know
isn't really practical for those
of you who are at home and shooting videos
for your own YouTube videos, or even online courses.
But in this video, I wanna show you
a super simple setup with the help of Caleb here,
who's actually going to be filming with an iPhone,
which will be a view that you see,
which you should see right now.
Hey everybody.
How to film something of quality
that is YouTube and/or video course worthy.
So stick around.
Alright, so Caleb, before we set this up
I wanted to ask you a couple things.
Is an iPhone or an Android, Samsung or whatever...
Are those cameras good enough now
to film-- - Plenty. Plenty good enough.
- Okay, the second question on lighting:
do we need to buy lights or get lighting
in order to have good quality video?
- The only thing buying lights does
is it makes it consistent, so you
can film at any time of the day,
but if you don't have the money
for a light, or you don't want
to spend money on a light, you can use natural light
and use the biggest window in your house.
- Okay, so if we were going to film a course here,
but we didn't have all this equipment,
where would you recommend we go?
And hopefully people might have an equivalent
or something similar at their house.
- I would go to the biggest windows,
and I would go to the front green room,
the planning room there, 'cause there's windows
all on one side, and sometimes I don't even
bring lights in there, we just film using the window.
- Alright, let's go.
We're gonna use the iPhone and see what it looks like.
(upbeat funky music)
Okay, so here's the room that we're in right now.
We call this the green room 'cause there's green things
in here but-- - [Caleb] So the first thing I
would do, is I would turn off the lights.
- Turn off the lights.
- Yeah. - Why?
- 'Cause the overhead fluorescent
lights, they look like junk.
If they're on, like, it's a weird color,
it gives you weird shadows under your eyes.
Turn off the lights, that'd be the first step.
- Okay - Second step would be, right
now all the blinds are actually
closed, so I would just open 'em up.
- [Pat] Okay, that's easy - Yeah?
- [Pat] Not really a nice view out there.
- Oh, the dumpster? Yeah.
But, if you look this way now, it's nice soft light--
- [Pat] Oh, you meant this way.
- [Caleb] Yeah, nice soft light.
You would have to pay a lot of money
to get enough lights to make something this size,
and this soft and beautiful, so window light.
- [Pat] Okay. - Third thing: clouds.
If it's a cloudy day, partially cloudy,
mostly cloudy, that will impact your filming
because the lighting is gonna change.
So, ideally, you either film on a day
that's completely cloudy and overcast,
or a day that's completely sunny.
It's these partially cloudy days that you kinda just have
to pay attention to the lighting changing,
that might make it harder when you edit.
- [Pat] Okay, so let's turn the iPhone
on right now, - Yep.
- [Pat] and we'll start to look at that view.
And, so, I'll play behind the scenes here.
If I'm filming a course, I know from experience
that I don't want to be sitting, like, here.
- [Caleb] This is the iPhone view, now.
- Right, so this is where I would be looking.
- [Caleb] Right now, you're really dark and the outside
is bright, and if I try to make you really bright,
then outside is completely blown out and white.
So sitting in front of a window when it's really bright
doesn't work. - That's bad.
That's like a silhouette, right?
- Yeah. - Okay, so instead,
I would imagine that having the
light facing you would be best, right?
So let me go here, and let's see what difference that makes.
- [Caleb] So I'm setting down the tripod, a little low, but,
have on your face, exposure's good, that's decent lighting.
I don't think I would change much
about that - Okay. Hi, everybody.
But how about, let's think of like what's behind me.
If you were in a room, what would
be best behind you for scenery, right?
'Cause if I were to go to, like, this scene, you'd have a
half cut window and some Post-It Notes,
which I really wouldn't want in a course or a video, right?
- I mean, oftentimes I default to filming
with a bookshelf behind you, so turning,
having the bookshelf behind you, that's a pretty
normal backdrop. - Okay, so
this is actually not a bad angle.
- Yeah. - Would it matter,
like, filming into the corner of a
room, versus, like, the flat side?
- Sometimes corners add depth, but flat side, clean wall,
you know, lately, I've just been filming
with a paper backdrop roll, so I don't
have to think about any of that stuff,
and I just simplify it, make it be super clean.
- So I would recommend having the same place in your house
with windows that you can basically look toward,
the video pointing away from it,
that just becomes the place in the home
or the office to just always do it,
right? - Yeah, yeah.
And that's what I would do, too.
The more permanent your setup,
the more often you're going to
just, like, start recording, which
is partially why you have this little GoPro setup
you've been using lately, 'cause it's just on a switch pod,
ready to go, - BB to go!
- And you can just hit record, start talking,
and you don't have to think about all the technical stuff.
And when you film your stuff, you just do it outside,
or you just open a window, and it's just kind
of easing the making of the videos.
- Okay, let's talk a little bit more
and go back to the iPhone really quick that we have...
Obviously, you can click and change
certain settings while filming.
How would you do that?
Like, would you click on the subject,
would you click behind the subject?
I don't know how that works on an iPhone.
- So, basically, you would tap
on what you want it to focus on,
and then it'll set exposure, which
is how bright or dark something is, at the same time.
And if you wanna lock that, you just press and hold,
and it'll lock focus and exposure,
so that it's not changing all the time.
- Okay. - But you can also drag up
and down; if it looks too bright,
you drag it down a little bit,
if it looks too dark, you drag it up,
and then you can set it that way.
- And hit record once, get through
that section of your course or video.
Don't stop between takes. - Yeah that's a common
misconception that every time you mess up,
you should stop it and restart.
Just talk through it all, and
you'll edit out all the mistakes.
- And then, finally, in terms of audio,
let's talk about that really quick.
What would you do at a minimum for decent audio?
- If you're filming on a phone, I like the RØDE smartLav+.
Plugs into the headphone jack,
or lightning port, or USB, or whatever your phone has,
and you clip it on your shirt and it sounds pretty good,
or you can get something like this RØDE VideoMicro,
and you'd have to kinda mount it on top
(microphones purrs) of whatever camera you have.
But the biggest thing is, closer the mic is to you,
the better it's going to sound.
So, as we walk further away from this, it's gonna
sound worse, as Pat brings it in, it's gonna start
to sound a little clearer. - Hey, everybody.
Or if I get super close to it; hey, guys.
I bet this sounds super creepy. Sorry.
(both laugh)
Awesome, and then second final question:
in terms of framing yourself on the camera,
- Mmhmm. - is there... I know there's
like a rule of thirds or... - Yeah.
- Like, where should your eyes be?
- Yeah, I tend to do rule of thirds
for where someone's eyes are, so if you cut it
into three sections vertically,
I usually put someone's eye on the top of the two lines.
And then, either just put yourself in the middle,
or if you're gonna be showing stuff next to you,
like in a YouTube video or a course,
or whatever, (funky music in background)
put yourself on one of the thirds.
So, usually, I put the path or whoever else I'm filming
on the right third line, and on the left side
there's room for text to come up,
or photos, or slides, or what have
you. - Nice, so if you know that in
your videos you wanna edit in text or things that come in,
it's best to be on either one side or the other.
It doesn't matter left or right, to you?
- I just prefer the person to be on the right.
- Okay, and then text come in on the left.
Fantastic! Hopefully, that makes sense,
and now that there's two cameras,
like, I-- - Which one do you look at?
Literally both. - I know. It's like that part
in Moana, where he's like "Just choose one eye."
- [Tamatoa] Of the Mons.. Just pick an eye, babe.
I can't... I can't concentrate on what I'm saying
if you keep... Yeah, pick one. Pick one!
- So Team Flynn, let us know what you think,
and if you have any questions.
And also, would you like any tutorials
like this, sort of hands-on behind
the scenes tutorials, for other things that I do?
Let me know, and I'd be happy to
help out and we'll make it work.
So, Caleb, any final thoughts before we head out?
- Just keep it easy, and I know
that people are gonna ask what this thing is.
- What this thing is, this contraption
that I'm holding is called the switch pod.
So, for all of you watching this camera angle now,
this is an invention that Caleb
and I both built and invented.
And it is going live on KickStarter soon,
if not already at switchpod.co,
and it allows you to hold things vlog-style like this,
but also with just a snap, you can place it down and
- Tripod mode, yeah. - start filming
with the light coming from behind
the camera like you know now how to do.
So, anyway, thank you all so much for being here.
Switchpod.co if you want to check out this device,
and also let me know if you have any questions below.
Thanks so much, Team Flynn. You're amazing.
Team Flynn for the win. (fist punches camera)

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